Tad Gloeckler, associate professor of art, University of Georgia and a registered architect in Minnesota will feature art objects that represent inventive solutions to ordinary design problems. Beautiful assemblage (the art of fitting together) is an essential aesthetic concern for Tad. His work is an expression of his deep respect for design, materials, and nature, and a dedicated struggle to mediate relationships between natural systems and contemporary life. He hopes to persuade viewers to reexamine familiar surroundings, cultivate interest in other earth life forms and processes, and reflect upon personal values.

Artist Statement

This work is an expression of my deep respect for design, materials, and nature; and a dedicated struggle to communicate relationships between natural systems and contemporary life. I hope to persuade viewers to reexamine familiar surroundings, cultivate interest in other earth life forms and processes, and reflect upon personal values.

The art objects represent inventive solutions to ordinary design problems. Beautiful assemblage (the art of fitting together) is an essential aesthetic concern. Transformation is often a central component of the design; and participation in functional operations is vital to the experience. Structure is revealed and significant. Design solutions explore precise combinations of diverse requirements; each component has a task to perform, a purpose to communicate, and an ornamental result. Construction techniques and functional interactions range from profoundly simple to maniacally complex. Material transitions, connections, joints, and fasteners, are intensely scrutinized. A system to transport, protect and/or display the final product is integral to each conception.

The goal of my architecture work is the creation of inspiring and dignified space. The exterior images are often abstractions of appropriate vernacular prototypes, while the interior spaces are more modern or experimental. My design process begins with intense investigation of site, site context, and relevant history; a dedicated search for a meaningful design concept, and identification of a profound “sense of place”. Design moves forward with a thorough understanding of program needs and client desires, and takes form with the synthesis of all accumulated information. The final product is put together with a focus on beautiful assemblage.

A branch of my creative activity includes a "Design for Wildlife" service. This service is devoted to enhancing wildlife populations and habitat, while promoting environmental education and communication. Projects include the design and construction of wildlife displays and exhibits, structures for platform nesting birds, shelter for cavity nesting birds, butterflies, or bats; blinds for watching wildlife, or any project related to wildlife and wildlife habitat.